Randal M. Jelks delivers this revelatory portrait of the celebrated poet, essayist, playwright, and American artist Langston Hughes. My America traces Hughes’s journey from a child captivated by the wonder of Kansas City to cosmopolitan witness in Paris, New York, Mexico City, and Madrid. We encounter Hughes as a young man discovering the pulse of modern life in a world on the verge of exploding metaphorically and literally. His experiences informed his work and his thinking on art, democracy, and activism.

Langston Hughes is one of the few American writers who consistently wrote about democracy from a joyous perspective, and My America explores how his works speak to the political anxieties and crises we face today. Jelks deftly examines the themes in Hughes’s work, including creative expression, communal dignity, class struggle, and human suffering and what they mean for our inner well-being as democratic persons and political participants.

With care and no-holds-barred insight, My America removes the veneer of respectability often placed on Hughes’s work and life to reveal his political adeptness. In a world threatened by fascism, Hughes’s writing wasn’t afforded the luxury of subtlety. He made a spiritual and political decision to stand on the side of the oppressed. He believed art should be practiced for the sake of justice. And democracy can be practiced with joy.

Focusing on the intersection of African Americans’ nineteenth-century cultural values and the changing social and political conditions in the first half of the twentieth century, Jelks pays particularly close attention to the religious community’s influence during their struggle toward a respectable social identity and fair treatment under the law. He explores how these competing values defined the community’s politics as it struggled to expand its freedoms and change its status as a subjugated racial minority.